The film is ironic about the lack of actions for transforming city spaces; the few actions undertaken are almost always limited to the positioning of “poles and chains”: the temporary signs of a hypothetical transformation on the city. The film shows sequences of innumerable “pole and chain” barriers, commented on by architects, councillors, of activity groups… who all underline the impermanence of these objects in view of some “elusive” transformations of the city.

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